Jacquard
Jardin Fleur Pink/Gold
Part of The Met x Ann Gish collection.
Inspired by a pink and gold Minton moon flask, this colorway of our Jardin Fleur collection is warm and rich.
Blossom
Part of The Met x Ann Gish collection.
Inspired by a 19th-century Japanese Inrō, Blossom mixes deep blue with gorgeous highlights of gold.
Dragon
- Part of The Met x Ann Gish collection.
- This lush velvet robe exemplifies the decorative transition between the Ming and Qing Dynasties.
Fretwork
Part of The Met x Ann Gish collection.
Inspired by a candlestand design. Chinese fretwork first appeared in England early in the eighteenth century in garden fences, but it was not until mid-century that the vogue for fretwork on furniture erupted.
Kosode
Part of The Met x Ann Gish collection.
Inspired by an asymmetrical Edo-period kimono, Kosode features a looped motif on a patterned jacquard.
Lantern
Part of The Met x Ann Gish collection.
Inspired by Japanese lanterns, this textural fabric is available in white on white and red on black. Modern and clean.
Lever du Soleil
Part of The Met x Ann Gish collection.
An Art Deco inspired design featuring a sunrise in bold colors that is sure to brighten any space. With this MET x Ann Gish collection, we revisit the French textile craft from the early 20th Century.
Lucky Clouds
Part of The Met x Ann Gish collection.
In 1454, the court of the Joseon dynasty adopted a system of insignia of rank for civil and military officials. These square badges of embroidered birds and animals on silk were worn on the front and back of official costumes.
Pavilion
Modern jacquard, featuring tiny rectangles superimposed over each other, tailored to perfection. This design is bold enough to pair just with sheeting, but also works beautifully as a foundation for more decorative collections featuring embroidery or a pattern. Sophisticated, versatile and low maintenance. Pavilion coverlets are rich and weighty, perfect for the cooler months.
Ritual
- Part of the MET x Ann Gish collection.
- Inspired by a ritual wine container with exquisite inlaid decoration that illustrates a major innovation in China's bronze tradition in the late Eastern Zhou dynasty when Chinese craftsmen created a sumptuous surface décor on otherwise austere bronzes. It epitomizes a critical change in the function of bronze vessels from ritual objects to vehicles for the display of wealth and status.